Claire Sherman Art

Since I’m the co-chair of Workshops for EBHQ (East Bay Heritage Quilters), I get to take the workshops for free in exchange for my work. In the before times that meant setting up tables, buying the teacher’s lunch, making coffee, and organizing clean up. Now it means that I’m the Zoom host. Today’s workshop was all about bias tape quilts with Latifah Saafir. I enjoyed it much more than I thought I would. I didn’t know that I would like working with bias tape so much! Here are the two blocks I made. Both are my own improvisational design.

Today EBHQ had its first Zoom workshop since Shelter In Place. Latifah Saafir was the teacher. This is her paper pieced Molehills pattern. Since I never make want to make someone else’s pattern or make a quilt that looks like someone else designed it, I’m thinking of inserting these arcs into a square or rectangular block, and making a baby quilt.

Here’s my quilt for the online show 100 Years of Women’s Progress. Follow this link to see the whole show: https://www.centuryofwomensprogress.com/claire-sherman

Here’s what I wrote about this quilt:

Still No ERA

I remember when the first issue of Ms. Magazine hit the news stands. My mom bought it and read it. Then my sister and I devoured it from cover to cover. After that, Mom subscribed so that all of us could read it every month. I got my own subscription when I went away to college.

I was a teenager in the 1970’s when I first heard about the Equal Rights Amendment, (the ERA.) I was shocked to learn that it hadn’t been ratified yet, and it wasn’t part of the constitution. How could the constitution leave out something so fundamental? “Equality of rights under the law shall not be denied or abridged by the United States or by any State on account of sex.” The amendment needed to be ratified by 38 states before becoming part of the constitution. We were one state away from ratifying it, when the time limit ran out.​

Twenty five years ago, my husband and I were thinking about names for our not yet born baby. The girl’s name we picked out happened to have the initials: ERA. Although we hadn’t done it deliberately, we very much liked that the initials of our child’s name would spell out ERA. (I didn’t change my name when I married, and my husband’s last name begins with an “A”). Frequently in emails, I would write “ERA,” instead of writing out my child’s full name. On my phone, “ERA” would flash when my first born called home. This year that child, now an adult, decided to legally change their first name to another name that starts with an “E,” that better reflects who they are now. I hesitantly asked, ‘what about your middle name?’ ‘No change’ was the answer! It turns out that ERA loves being ERA!

I wrote a haiku, but like many things in life, the words couldn’t be contained on just three lines.

100 years of
A woman’s right to vote. BUT
still no ERA?

 The background fabric, full of words and newspaper images symbolizes all the talk, arguments, and debates about the ERA that have surfaced since it was first introduced in Congress in 1923.

The scope of work available to women has completely transformed over the last 100 years. In designing this quilt I chose the “churn dash” block, named for part of a butter churn, to represent women’s work of 100 years ago. However the fabric in these blocks represents the work that women do today. Fabric with mathematical equations represents scientists, mathematicians, and technology workers. Radio circuitry fabric represents women in the media; film fabric represents women in the film industry; recipe fabric represents women in the food industry; fabric with a spool of thread represents women in the garment industry; the sheet music fabric is for the music industry; plus a mariner’s compass to help women find their way in the world.