Process photos for Circular Rectangles

Circular Rectangles is the kind of quilt where you keep making units, and put them on a design wall. The blocks don’t get sewn to each other until the whole quilt is on the wall, and you’ve stopped rearranging it. I chose not to square up blocks or make them all the same size in this quilt. Some of the edges are curved rather than straight.

process circular rectangles 1Here’s the first process photo, above.

process circular rectangles 2here’s the second. Note the little white rectangular holes in the design. With this quilt I decided to embrace partial seam construction. I ended up with 3 holes where I needed to sew in a rectangle with partial seam construction.

process circular rectangles 4Here I was working on adding the red to the upper corner, and the blue to the lower corner. I really liked the fabric with the polka dots on the bottom right, but it never made it into the quilt.

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Two quilts finished!

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This is the small healing quilt I just finished. I’d like to make a larger one, and maybe add more embellishments, like tassels to the bottom. It’s hard to see in this photo, but there are seed beads sewn in the flowers.

Circular Rectangles

I call this one, “Circular Rectangles”. I started this quilt a year or so ago when I first taught my circular squares and rectangles class. I taught it again, recently, and made more rectangles with the same colors. I decided it was time to gather both sets of blocks together and make a quilt. My favorite part is the lower left corner where the edge of the pattern meets the blue of the negative space. I’d like to make another quilt like this, but with more negative space, and less busy, overall.

Circular Rectangles detail.1Here’s a detail of the quilting. I used my walking foot, of course.

 

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House shaped hamsa quilt

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I took the hamsa I cut out in the fusible appliqué class I taught, and put it in an appliquéd archway. I think I’m going to wait until it’s ready to be quilted before stitching anything down. In this photo I’m auditioning the other fabrics for this small quilt. I’m really pleased with the ombré fabric behind the hamsa. This quilt won’t be a square or rectangle. I’m planning to make it house shaped, with a pointy roof.

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In the photo above I was experimenting with making a pointy roof. I decided not to do it this way, but to make it larger, and add an additional fuscia triangle for the roof.

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Fusible fabric appliqué i.e. Paper-cutting

I taught a fusible fabric appliqué class at Hello Stitch last Sunday. This was the first time I’ve taught this class as a fabric class and not a hamsa or paper-cutting class. I taught the basics of paper-cutting, but everyone did it on fabric. It was a great class. I had 6 students, 5 of whom had never taken a class with me before. Here is my students’ work:

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Below is is the hamsa I worked on during class. I was too busy teaching to finish it then. But I finished cutting it out (with an X-acto knife) while watching Outlander on Netflix.

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Really? A hamsa air freshener?

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In Mount Vernon, Wa I found this hamsa shaped air freshener. I’m amazed that hamsas have become this mainstream. Not only that, but it has rainbow stripes on it.

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A quilty stone floor

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This is the stone floor in a train station in Seattle. The colors were richer than what you see in the photo. I could easily imagine it as a quilt.

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Mini fused fabric class

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I taught a one hour class on fusible collage at the Netivot Shalom retreat. I called it, “Fabric Collage without Sewing,” because it was so short, and because it was for people who don’t necessarily sew. I got a nice mix of kids and adults who seemed to be having a good time with the materials. Above is my friend Mindy, holding the challah cover she made. To make the materials easier to manage in such a short time frame, I fused the fusible web to the backs of a variety of fabric before the class started.

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I’m teaching Fusible Machine Applique Aug. 4th

I’m teaching Fusible Machine Applique Aug. 4th at Hello Stitch Click here for more info, and to sign up. Here’s an example:

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Aug 4 from 10:00 AM-1:00 PM

At Hello Stitch Studio, 1708 University Ave, Berkeley, CA 94703

I will teach paper cutting techniques to make intricate, iron-on fabric appliqués, using Xacto knives and scissors. Then we will practice different ways of sewing the fused appliqués onto a background fabric. Explore the possibilities with multi-layer appliqués.

This is a process class, focused on learning how to cut and appliqué fabric. However it’s easy to turn your class project into a wall hanging or pillow.

Skill Level: Appropriate for everyone from beginners to advanced.

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The secret quilt I’ve been working on

As the EBHQ board member in charge of workshops it is my responsibility to organize and make a group quilt for the outgoing president every year. Since I did this last year, the responsibility shouldn’t have snuck up on me this year, but it did. Somehow I found 13 quilters to each make two blocks for this quilt. Orna (my co- workshop person) and I designed a quilt that incorporates the things that Janet, the outgoing president likes. As of today the quilt is done!! Joan quilted it and Edy sewed on the binding. It’s actually a two sided quilt- Joan had made a donation quilt that was the right size once I added a strip to one side.

Janets quilt 2

Above is the front, and below is the back.

Janets quilt 1

 

Here’s a detail of the blocks on the front.

Janets quilt detail

 

Before starting to design this quilt with Orna, I made a list of the things Janet likes in a quilt: Fall colors, muted colors, rust, olive, brown, maroon, indigo, Asian fabric, traditional quilt blocks, not improv. As you might notice, there’s not much we have in common except for liking Asian fabrics and indigo.

I gave the quilt to Janet tonight at the EBHQ educational session, so it’s not a secret anymore.

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Blue and white quilt block

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My friend Mary loves blue and white china dishes. She usually makes quilts and gives them away. She’s finally making a quilt for herself with blue and white as the only colors. She asked if any of her quilting friends wanted to contribute a block or two. Above is the block I made for her. I was so excited that I had the perfect two fabrics for it, plus the ferns as the medium blue. It’s a modified version of Gwen Marston’s liberated star. This is Mary’s photo as I made it at the last minute and failed to photograph it. The block is symmetrical, but the left hand side is cut off in the photo.

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